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伊万·比利宾的《农民女孩》-Ivan Bilibin
Peasant Girl--Ivan Bilibin (俄罗斯, 1876-1942)
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伊万·比利宾的《农民女孩》-Ivan Bilibin
Peasant Girl--Ivan Bilibin (俄罗斯, 1876-1942)
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伊万·比利宾的《阿拉伯之夜》-Ivan Bilibin
Arabian nights--Ivan Bilibin (俄罗斯, 1876-1942)
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伊万·比利宾的《青蛙公主》插图-Ivan Bilibin
Illustration for The Frog Princess--Ivan Bilibin (俄罗斯, 1876-1942)
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伊万·比利宾的“歌剧《沙皇新娘》布景设计”-Ivan Bilibin
Set Design for the Opera The Tsars Bride--Ivan Bilibin (俄罗斯, 1876-1942)
图片文件尺寸 : 5080 x 1769px
《一千零一夜插图》作者:伊万·比利宾-Ivan Bilibin
Illustrations for One Thousand and One Nights--Ivan Bilibin (俄罗斯, 1876-1942)
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《彼得一世插图》阿列克谢·托尔斯泰伊万·比利宾-Alexei Tolstoy by Ivan Bilibin
Illustration for Peter I--Ivan Bilibin (俄罗斯, 1876-1942)
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伊万·雅科夫列维奇·比利宾的《尼罗河之景》-Ivan Yakovlevich Bilibin
View Of The Nile--Ivan Yakovlevich Bilibin (俄罗斯, 1876-1942)
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“开罗艾扎尔清真寺和大学的庭院”,伊万·比利宾著-Ivan Bilibin
Courtyard of the AlAzhar Mosque and University, Cairo--Ivan Bilibin (俄罗斯, 1876-1942)
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伊万·比利宾的《沙皇萨尔坦的故事》卫士服装设计-Ivan Bilibin
Guard. Costume Design for The Tale of Tsar Saltan--Ivan Bilibin (俄罗斯, 1876-1942)
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“它看起来不像伊万·比利宾的《玛丽亚·莫雷夫娜》”-Ivan Bilibin
It doesnt look like Maria Morevna--Ivan Bilibin (俄罗斯, 1876-1942)
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伊万·比利宾的《沙皇和他的视网膜前的弓箭手妻子》-Ivan Bilibin
The Archers Wife Before The Tsar And His Retinue--Ivan Bilibin (俄罗斯, 1876-1942)
材质 :
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Iwan Jakowlewitsch Bilibin-Sestricka Aljonuska a Bratricek Ivanuska. Um 1905.
伊万·雅科夫列维奇·比利宾-姐姐阿尔乔努斯卡和哥哥伊万努斯卡。1905年。
图片文件尺寸 : 5489 x 4959px
RUSSIAN ART JOURNAL.:Zhar-Ptitsa/Jar-Ptitza [The Firebird]. Paris and Berlin: Russkoe Iskusstvo, August 1921-January 1926. 14 issues in 13 volumes (No. 4/5 double issue). 4to (315 x 240 mm). Illustrated in color and black and white, with many plates tipped in. Original color lithographed wrappers. Some issues missing spines with pages detached; internal tears and some loss.
A COMPLETE SET OF THE RARE RUSSIAN EMIGRE LITERARY ART MAGAZINE IN ORIGINAL ISSUES, reportedly no more than 300 copies were printed. Supplemental summaries of the numbers were provided in the back in a variety of languages including English. Zhar-ptitsa was the most influential art journal of the flourishing community of exiles who were feverishly trying to keep the culture of Old Russia alive. Due to paper shortages and extensive censorship by the Bolsheviks back in the USSR, the Russian book business was booming in Germany and France. This lavish periodical was the natural successor to S. Diaghilev\'s Mir iskusstva since many of those involved had been members of the World of Art Group and designers for the Ballets Russes. The rich selection subjects and contributors under A. E. Kogan\'s art department embraced L. Bakst, A. Benois, I. Bilibin, M. Chagall, S. Chekhonin, N. Goncharova, B. Grigoriev, B. Kustodiev, M. Larionov, V. Shukaev, K. Somov, S. Sudeikin and many other important artists. Poet Sasha Cherny was literary editor; and such important writers as L. Andreev, K. Balmont, I. Bunin, V. Khodasevich, B. Pilnyak, A. Remizov, N. Teffi, A.N. Tolstoi, B. Zaitsev, and the young Vladimir Nabokov (as \"V. Sirin\") appeared in its pages. Fekula called Zhar-ptitsa \"perhaps the most famous of post-revolutionary art journals, whose contributors threw new light on the development of Russian art at the beginning of the twentieth century.\" According to Vengerov, \"Even separate issues of the magazine, let alone complete sets of its issues, are a great bibliographic rarity.\" Fekula 5742; Vengerov Staraya russkaya kniga 105.
俄罗斯艺术杂志。 Zhar Ptitsa/Jar Ptitsa[火鸟]。巴黎和柏林:Russkoe Iskustvo,1921年8月至1926年1月。
下载俄罗斯艺术杂志。 Zhar Ptitsa/Jar Ptitsa[火鸟]。巴黎和柏林:Russkoe Iskustvo,1921年8月至1926年1月。大图
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